FILM REVIEW: OUTHOUSE

There are moments when watching a soothing movie that is only about love is a genuine joy. Outhouse, which was produced by Dr. Mohan Agashe and directed by Sunil Sukthankar, demonstrates that you can win anyone over with just love.The protagonist of Outhouse is a writer named Aadima Sharmila Tagore, who resides in a beautifully designed Pune bungalow. Despite being a widow, she has a healthy and active life. She writes to keep herself occupied. 

A welcome diversion from the typical good-sense thought and grim facts of life is Outhouse. It's nice to see that a film can be centered around life's small joys for once. In the film's opening scene, Aadima Sharmila Tagore is shown concluding a deal with the publishers. She states that she would like to take a short break from writing in order to spend more time with her grandson, who will be coming to visit her son. She is shocked when her grandson shows up at her house with a puppy that he lovingly refers to as Pablo. 

The night Pablo arrives with his grandson, daughter, and son-in-law, she forbids him from staying inside the home and gives him strict instructions to keep him on the porch outside. However, in the middle of the night, Palbo escapes. Due to Pablo's disappearance, Aadima is unable to maintain the happiness of his grandson, Neel Jihan Hodar. Unexpectedly, Pablo follows Nana Mohan Agashe, a lonely elderly woman in the nearby community. Nana and the dog form a close bond right away. 

He calls him Sugar. When Aadima and her grandson set out to locate Pablo, whom Nana has now given the name Sugar, the plot took a different turn. Sugar's lonely life has been considerably improved by the dog, and he and Nana have grown close. Aadima, meanwhile, transforms the Pablo search into a gory frame.